Synthstrom Audible doubluge: MIDI CC, NRPN and OSC map¶
The Synthstrom Audible doubluge as named OSC addresses — 182 CC — ready to use from Claude (MCP), SuperCollider, Sonic Pi, TouchDesigner or any OSC app via osc-bridge.
| Device | Synthstrom Audible doubluge |
|---|---|
| Vendor | Synthstrom Audible |
| OSC prefix | /doubluge |
| Source | 🎛️ Derived from an Electra One community preset |
| Revision | per Electra preset |
| Upstream | electra-preset |
| Driver file | devices/synthstrom-audible/doubluge.json |
Not tested on the device yet
This driver comes from documentation or community data and has not been checked on real hardware. If you own one, a quick test and a pull request promoting it helps everyone — see CONTRIBUTING.
How do you control it?¶
Find the MIDI ports, then start the bridge with this driver:
osc-bridge detect # prints the ready-to-run line for what is plugged in
osc-bridge run --device devices/synthstrom-audible/doubluge.json --out-port <N> --in-port <M>
Then send OSC to 127.0.0.1:7777, for example:
From Claude or any MCP client, the osc-bridge mcp server exposes this driver as doubluge: ask “what can the Synthstrom Audible doubluge do?” and it reads this map with list_routes. See the MCP guide.
MIDI CC and NRPN parameters (182)¶
| OSC address | CC | NRPN (MSB/LSB) | Range | Nature | Section |
|---|---|---|---|---|---|
/doubluge/volume |
7 | 0–127 | continuous | ||
/doubluge/portamento |
5 | 0–127 | continuous | ||
/doubluge/level |
21 | 0–127 | continuous | ||
/doubluge/pulse_width |
23 | 0–127 | continuous | ||
/doubluge/wavetable_pos |
25 | 0–127 | continuous | ||
/doubluge/noise |
41 | 0–127 | continuous | ||
/doubluge/reverb |
91 | 0–127 | continuous | ||
/doubluge/delay |
52 | 0–127 | continuous | ||
/doubluge/level |
26 | 0–127 | continuous | ||
/doubluge/pulse_width |
28 | 0–127 | continuous | ||
/doubluge/wavetable_pos |
30 | 0–127 | continuous | ||
/doubluge/wavefold |
19 | 0–127 | continuous | ||
/doubluge/cutoff |
74 | 0–127 | continuous | ||
/doubluge/cutoff |
81 | 0–127 | continuous | ||
/doubluge/attack |
73 | 0–127 | continuous | ||
/doubluge/attack |
75 | 0–127 | continuous | ||
/doubluge/attack |
76 | 0–127 | continuous | ||
/doubluge/attack |
72 | 0–127 | continuous | ||
/doubluge/resonance |
71 | 0–127 | continuous | ||
/doubluge/resonance |
82 | 0–127 | continuous | ||
/doubluge/adsr |
77 | 0–127 | continuous | ||
/doubluge/adsr |
78 | 0–127 | continuous | ||
/doubluge/adsr |
79 | 0–127 | continuous | ||
/doubluge/adsr |
80 | 0–127 | continuous | ||
/doubluge/morph |
70 | 0–127 | continuous | ||
/doubluge/morph |
83 | 0–127 | continuous | ||
/doubluge/depth |
93 | 0–127 | continuous | ||
/doubluge/offset |
18 | 0–127 | continuous | ||
/doubluge/frequency |
84 | 0–127 | continuous | ||
/doubluge/frequency |
85 | 0–127 | continuous | ||
/doubluge/bit_depth |
62 | 0–127 | continuous | ||
/doubluge/decimation |
63 | 0–127 | continuous | ||
/doubluge/rate |
16 | 0–127 | continuous | ||
/doubluge/feedback |
17 | 0–127 | continuous | ||
/doubluge/gain |
86 | 0–127 | continuous | ||
/doubluge/gain |
87 | 0–127 | continuous | ||
/doubluge/volume |
7 | 0–127 | continuous | ||
/doubluge/portamento |
5 | 0–127 | continuous | ||
/doubluge/level |
21 | 0–127 | continuous | ||
/doubluge/pulse_width |
23 | 0–127 | continuous | ||
/doubluge/wavetable_pos |
25 | 0–127 | continuous | ||
/doubluge/noise |
41 | 0–127 | continuous | ||
/doubluge/reverb |
91 | 0–127 | continuous | ||
/doubluge/delay |
52 | 0–127 | continuous | ||
/doubluge/level |
26 | 0–127 | continuous | ||
/doubluge/pulse_width |
28 | 0–127 | continuous | ||
/doubluge/wavetable_pos |
30 | 0–127 | continuous | ||
/doubluge/wavefold |
19 | 0–127 | continuous | ||
/doubluge/cutoff |
74 | 0–127 | continuous | ||
/doubluge/cutoff |
81 | 0–127 | continuous | ||
/doubluge/attack |
73 | 0–127 | continuous | ||
/doubluge/attack |
75 | 0–127 | continuous | ||
/doubluge/attack |
76 | 0–127 | continuous | ||
/doubluge/attack |
72 | 0–127 | continuous | ||
/doubluge/resonance |
71 | 0–127 | continuous | ||
/doubluge/resonance |
82 | 0–127 | continuous | ||
/doubluge/adsr |
77 | 0–127 | continuous | ||
/doubluge/adsr |
78 | 0–127 | continuous | ||
/doubluge/adsr |
79 | 0–127 | continuous | ||
/doubluge/adsr |
80 | 0–127 | continuous | ||
/doubluge/morph |
70 | 0–127 | continuous | ||
/doubluge/morph |
83 | 0–127 | continuous | ||
/doubluge/depth |
93 | 0–127 | continuous | ||
/doubluge/offset |
18 | 0–127 | continuous | ||
/doubluge/frequency |
84 | 0–127 | continuous | ||
/doubluge/frequency |
85 | 0–127 | continuous | ||
/doubluge/bit_depth |
62 | 0–127 | continuous | ||
/doubluge/decimation |
63 | 0–127 | continuous | ||
/doubluge/rate |
16 | 0–127 | continuous | ||
/doubluge/feedback |
17 | 0–127 | continuous | ||
/doubluge/gain |
86 | 0–127 | continuous | ||
/doubluge/gain |
87 | 0–127 | continuous | ||
/doubluge/volume |
7 | 0–127 | continuous | ||
/doubluge/portamento |
5 | 0–127 | continuous | ||
/doubluge/treb_freq |
85 | 0–127 | continuous | ||
/doubluge/frequency |
85 | 0–127 | continuous | ||
/doubluge/portamento |
5 | 0–127 | continuous | ||
/doubluge/volume |
7 | 0–127 | continuous | ||
/doubluge/reverb |
91 | 0–127 | continuous | ||
/doubluge/delay |
52 | 0–127 | continuous | ||
/doubluge/gain |
87 | 0–127 | continuous | ||
/doubluge/gain |
87 | 0–127 | continuous | ||
/doubluge/delay |
52 | 0–127 | continuous | ||
/doubluge/reverb |
91 | 0–127 | continuous | ||
/doubluge/cutoff |
74 | 0–127 | continuous | ||
/doubluge/cutoff |
81 | 0–127 | continuous | ||
/doubluge/bass_freq |
84 | 0–127 | continuous | ||
/doubluge/bass_freq |
84 | 0–127 | continuous | ||
/doubluge/cutoff |
81 | 0–127 | continuous | ||
/doubluge/cutoff |
74 | 0–127 | continuous | ||
/doubluge/resonance |
71 | 0–127 | continuous | ||
/doubluge/resonance |
82 | 0–127 | continuous | ||
/doubluge/gain |
86 | 0–127 | continuous | ||
/doubluge/gain |
86 | 0–127 | continuous | ||
/doubluge/resonance |
82 | 0–127 | continuous | ||
/doubluge/resonance |
71 | 0–127 | continuous | ||
/doubluge/morph |
70 | 0–127 | continuous | ||
/doubluge/morph |
83 | 0–127 | continuous | ||
/doubluge/fx_depth |
93 | 0–127 | continuous | ||
/doubluge/fx_depth |
93 | 0–127 | continuous | ||
/doubluge/morph |
83 | 0–127 | continuous | ||
/doubluge/morph |
70 | 0–127 | continuous | ||
/doubluge/bit_depth |
62 | 0–127 | continuous | ||
/doubluge/decimation |
63 | 0–127 | continuous | ||
/doubluge/wavefold |
19 | 0–127 | continuous | ||
/doubluge/wavefold |
19 | 0–127 | continuous | ||
/doubluge/decimation |
63 | 0–127 | continuous | ||
/doubluge/bit_depth |
62 | 0–127 | continuous | ||
/doubluge/eq_hi |
1 | 0–127 | continuous | ||
/doubluge/eq_hi |
2 | 0–127 | continuous | ||
/doubluge/eq_hi |
3 | 0–127 | continuous | ||
/doubluge/eq_hi |
4 | 0–127 | continuous | ||
/doubluge/eq_hi |
5 | 0–127 | continuous | ||
/doubluge/eq_hi |
6 | 0–127 | continuous | ||
/doubluge/eq_mid_freq |
11 | 0–127 | continuous | ||
/doubluge/eq_mid_freq |
12 | 0–127 | continuous | ||
/doubluge/eq_mid_freq |
13 | 0–127 | continuous | ||
/doubluge/eq_mid_freq |
14 | 0–127 | continuous | ||
/doubluge/eq_mid_freq |
15 | 0–127 | continuous | ||
/doubluge/eq_mid_freq |
16 | 0–127 | continuous | ||
/doubluge/eq_mid |
21 | 0–127 | continuous | ||
/doubluge/eq_mid |
22 | 0–127 | continuous | ||
/doubluge/eq_mid |
23 | 0–127 | continuous | ||
/doubluge/eq_mid |
24 | 0–127 | continuous | ||
/doubluge/eq_mid |
25 | 0–127 | continuous | ||
/doubluge/eq_mid |
26 | 0–127 | continuous | ||
/doubluge/eq_lo |
33 | 0–127 | continuous | ||
/doubluge/eq_lo |
34 | 0–127 | continuous | ||
/doubluge/eq_lo |
35 | 0–127 | continuous | ||
/doubluge/eq_lo |
36 | 0–127 | continuous | ||
/doubluge/eq_lo |
37 | 0–127 | continuous | ||
/doubluge/eq_lo |
38 | 0–127 | continuous | ||
/doubluge/aux_1 |
43 | 0–127 | continuous | ||
/doubluge/aux_1 |
44 | 0–127 | continuous | ||
/doubluge/aux_1 |
45 | 0–127 | continuous | ||
/doubluge/aux_1 |
46 | 0–127 | continuous | ||
/doubluge/aux_1 |
47 | 0–127 | continuous | ||
/doubluge/aux_1 |
48 | 0–127 | continuous | ||
/doubluge/level |
83 | 0–127 | continuous | ||
/doubluge/level |
84 | 0–127 | continuous | ||
/doubluge/level |
85 | 0–127 | continuous | ||
/doubluge/level |
86 | 0–127 | continuous | ||
/doubluge/level |
87 | 0–127 | continuous | ||
/doubluge/level |
88 | 0–127 | continuous | ||
/doubluge/a |
121 | 0–127 | continuous | ||
/doubluge/a |
122 | 0–127 | continuous | ||
/doubluge/a |
123 | 0–127 | continuous | ||
/doubluge/a |
124 | 0–127 | continuous | ||
/doubluge/a |
125 | 0–127 | continuous | ||
/doubluge/a |
126 | 0–127 | continuous | ||
/doubluge/b |
115 | 0–127 | continuous | ||
/doubluge/b |
116 | 0–127 | continuous | ||
/doubluge/b |
117 | 0–127 | continuous | ||
/doubluge/b |
118 | 0–127 | continuous | ||
/doubluge/b |
119 | 0–127 | continuous | ||
/doubluge/b |
120 | 0–127 | continuous | ||
/doubluge/c |
109 | 0–127 | continuous | ||
/doubluge/c |
110 | 0–127 | continuous | ||
/doubluge/c |
111 | 0–127 | continuous | ||
/doubluge/c |
112 | 0–127 | continuous | ||
/doubluge/c |
113 | 0–127 | continuous | ||
/doubluge/c |
114 | 0–127 | continuous | ||
/doubluge/reverb |
103 | 0–127 | continuous | ||
/doubluge/reverb |
104 | 0–127 | continuous | ||
/doubluge/reverb |
105 | 0–127 | continuous | ||
/doubluge/reverb |
106 | 0–127 | continuous | ||
/doubluge/reverb |
107 | 0–127 | continuous | ||
/doubluge/reverb |
108 | 0–127 | continuous | ||
/doubluge/delay |
97 | 0–127 | continuous | ||
/doubluge/delay |
98 | 0–127 | continuous | ||
/doubluge/delay |
99 | 0–127 | continuous | ||
/doubluge/delay |
100 | 0–127 | continuous | ||
/doubluge/delay |
101 | 0–127 | continuous | ||
/doubluge/delay |
102 | 0–127 | continuous | ||
/doubluge/volume |
90 | 0–127 | continuous | ||
/doubluge/volume |
92 | 0–127 | continuous | ||
/doubluge/volume |
95 | 0–127 | continuous | ||
/doubluge/volume |
96 | 0–127 | continuous | ||
/doubluge/aux2 |
55 | 0–127 | continuous | ||
/doubluge/aux2 |
56 | 0–127 | continuous | ||
/doubluge/efx |
65 | 0–127 | continuous | ||
/doubluge/efx |
66 | 0–127 | continuous |
Performance MIDI¶
Notes, pitch bend and any CC are also available: /doubluge/note/on <note> <velocity>, /doubluge/cc/<number> <value>, /doubluge/pitchbend <0-16383>, /doubluge/program_change <n>.
Limitations¶
Imported from an Electra One community preset. The mapping reflects the preset author's editorial choices: parameter naming, ranges, and which params are exposed. Untested on hardware in this repo.