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KORG drumlogue: MIDI CC, NRPN and OSC map

The KORG drumlogue as named OSC addresses — 259 CC, 22 drum sounds — ready to use from Claude (MCP), SuperCollider, Sonic Pi, TouchDesigner or any OSC app via osc-bridge.

Device KORG drumlogue
Vendor KORG
OSC prefix /drumlogue
Source 📦 Derived from MIDI Guide (community CC/NRPN data)
Firmware unknown
Revision per pencilresearch canonical CSV
Upstream pencilresearch
Data licence CC-BY-SA-4.0 — MIDI Guide (https://midi.guide) by Pencil Research and contributors
Driver file devices/korg/drumlogue.pencilresearch.fw-unknown.json

Not tested on the device yet

This driver comes from documentation or community data and has not been checked on real hardware. If you own one, a quick test and a pull request promoting it helps everyone — see CONTRIBUTING.

Other variants of this device: drumlogue.

How do you control it?

Find the MIDI ports, then start the bridge with this driver:

osc-bridge detect        # prints the ready-to-run line for what is plugged in
osc-bridge run --device devices/korg/drumlogue.pencilresearch.fw-unknown.json --out-port <N> --in-port <M>

Then send OSC to 127.0.0.1:7777, for example:

osc-bridge osc-send /drumlogue/master/volume 8191

From Claude or any MCP client, the osc-bridge mcp server exposes this driver as drumlogue: ask “what can the KORG drumlogue do?” and it reads this map with list_routes. See the MCP guide.

MIDI CC and NRPN parameters (259)

OSC address CC NRPN (MSB/LSB) Range Nature Section
/drumlogue/master/volume 7 / 39 0–16383 continuous Master
/drumlogue/bass_drum/tune 20 0–127 continuous Bass drum
/drumlogue/bass_drum/drive 21 0–127 continuous Bass drum
/drumlogue/bass_drum/attack 22 0–127 continuous Bass drum
/drumlogue/bass_drum/decay 23 0–127 continuous Bass drum
/drumlogue/bass_drum/level 24 0–127 continuous Bass drum
/drumlogue/snare_drum/tune 25 0–127 continuous Snare drum
/drumlogue/snare_drum/snappy_level 26 0–127 continuous Snare drum
/drumlogue/snare_drum/snappy_decay 27 0–127 continuous Snare drum
/drumlogue/snare_drum/decay 28 0–127 continuous Snare drum
/drumlogue/snare_drum/level 29 0–127 continuous Snare drum
/drumlogue/low_tom/tune 46 0–127 continuous Low tom
/drumlogue/low_tom/detune 47 0–127 continuous Low tom
/drumlogue/low_tom/decay 48 0–127 continuous Low tom
/drumlogue/low_tom/level 49 0–127 continuous Low tom
/drumlogue/high_tom/tune 50 0–127 continuous High tom
/drumlogue/high_tom/detune 51 0–127 continuous High tom
/drumlogue/high_tom/decay 52 0–127 continuous High tom
/drumlogue/high_tom/level 53 0–127 continuous High tom
/drumlogue/closed_hi_hat/tune 61 0–127 continuous Closed hi-hat
/drumlogue/closed_hi_hat/decay 62 0–127 continuous Closed hi-hat
/drumlogue/closed_hi_hat/level 63 0–127 continuous Closed hi-hat
/drumlogue/open_hi_hat/tune 80 0–127 continuous Open hi-hat
/drumlogue/open_hi_hat/decay 81 0–127 continuous Open hi-hat
/drumlogue/open_hi_hat/level 82 0–127 continuous Open hi-hat
/drumlogue/rimshot/tune 55 0–127 continuous Rimshot
/drumlogue/rimshot/decay 56 0–127 continuous Rimshot
/drumlogue/rimshot/level 57 0–127 continuous Rimshot
/drumlogue/clap/tune 58 0–127 continuous Clap
/drumlogue/clap/decay 59 0–127 continuous Clap
/drumlogue/clap/level 60 0–127 continuous Clap
/drumlogue/sample_1/tune 102 0–127 continuous Sample 1
/drumlogue/sample_1/attack 103 0–127 continuous Sample 1
/drumlogue/sample_1/decay 104 0–127 continuous Sample 1
/drumlogue/sample_1/level 105 0–127 continuous Sample 1
/drumlogue/sample_2/tune 106 0–127 continuous Sample 2
/drumlogue/sample_2/attack 107 0–127 continuous Sample 2
/drumlogue/sample_2/decay 108 0–127 continuous Sample 2
/drumlogue/sample_2/level 109 0–127 continuous Sample 2
/drumlogue/multi/part_level 54 0–127 continuous Multi
/drumlogue/vpm/note 110 0–127 continuous VPM
/drumlogue/vpm/index 111 0–127 continuous VPM
/drumlogue/vpm/ratio 112 0–127 continuous VPM
/drumlogue/vpm/envelope_type 113 0–127 continuous VPM
/drumlogue/vpm/attack 114 0–127 continuous VPM
/drumlogue/vpm/release 115 0–127 continuous VPM
/drumlogue/noise/color 116 0–127 continuous Noise
/drumlogue/noise/attack 117 0–127 continuous Noise
/drumlogue/noise/release 118 0–127 continuous Noise
/drumlogue/noise/peak 119 0–127 continuous Noise
/drumlogue/user_synth/parameter_1 16 0–127 continuous User synth
/drumlogue/user_synth/parameter_2 17 0–127 continuous User synth
/drumlogue/user_synth/parameter_3 18 0–127 continuous User synth
/drumlogue/user_synth/parameter_4 19 0–127 continuous User synth
/drumlogue/delay/parameter_1 12 0–127 continuous Delay
/drumlogue/delay/parameter_2 13 0–127 continuous Delay
/drumlogue/delay/parameter_3 14 0–127 continuous Delay
/drumlogue/delay/return 44 0–127 continuous Delay
/drumlogue/delay/reverb_send 45 0–127 continuous Delay
/drumlogue/delay/level 92 0–127 continuous Delay
/drumlogue/reverb/parameter_1 85 0–127 continuous Reverb
/drumlogue/reverb/parameter_2 86 0–127 continuous Reverb
/drumlogue/reverb/parameter_3 87 0–127 continuous Reverb
/drumlogue/reverb/parameter_4 89 0–127 continuous Reverb
/drumlogue/reverb/return 83 0–127 continuous Reverb
/drumlogue/reverb/level 91 0–127 continuous Reverb
/drumlogue/channel_mode/all_sound_off 120 0–127 continuous Channel mode
/drumlogue/channel_mode/reset_all_controllers 121 0–127 continuous Channel mode
/drumlogue/channel_mode/all_notes_off 123 0–127 continuous Channel mode
/drumlogue/channel_mode/omni_mode_off 124 0–127 continuous Channel mode
/drumlogue/channel_mode/omni_mode_on 125 0–127 continuous Channel mode
/drumlogue/channel_mode/mono_mode_on 126 0–127 continuous Channel mode
/drumlogue/channel_mode/poly_mode_on 127 0–127 continuous Channel mode
/drumlogue/multi_part_1_bass_drum/bass_drum_level 7 / 39 0–16383 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_pan 10 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_reverb_send 91 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_delay_send 92 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_tune 20 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_drive 21 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_attack 22 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_decay 23 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_sweep 24 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_sweep_time 25 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_hold 26 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_2_snare_drum/snare_drum_level 7 / 39 0–16383 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_pan 10 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_reverb_send 91 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_delay_send 92 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_tune 25 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_snappy_level 26 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_snappy_decay 27 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_decay 28 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_tone 29 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_3_low_tom/low_tom_level 7 / 39 0–16383 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_pan 10 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_reverb_send 91 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_delay_send 92 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_tune 46 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_detune 47 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_decay 48 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_sweep 49 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_attack 50 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_drive 51 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_4_high_tom/high_tom_level 7 / 39 0–16383 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_pan 10 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_reverb_send 91 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_delay_send 92 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_tune 50 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_detune 51 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_decay 52 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_sweep 53 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_attack 54 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_drive 55 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_level 7 / 39 0–16383 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_pan 10 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_reverb_send 91 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_delay_send 92 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_tune 61 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_decay 62 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_attack 63 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_sample_start 80 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_sample_end 81 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_level 7 / 39 0–16383 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_pan 10 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_reverb_send 91 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_delay_send 92 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_tune 80 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_decay 81 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_attack 82 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_sample_start 83 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_sample_end 85 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_7_rimshot/rimshot_level 7 / 39 0–16383 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_pan 10 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_reverb_send 91 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_delay_send 92 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_tune 55 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_decay 56 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_sample_start 57 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_sample_end 58 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_8_clap/clap_level 7 / 39 0–16383 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_pan 10 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_reverb_send 91 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_delay_send 92 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_tune 58 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_decay 59 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_attack 60 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_sample_start 61 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_sample_end 62 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_9_sample_1/sample_1_level 7 / 39 0–16383 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_pan 10 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_reverb_send 91 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_delay_send 92 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_tune 102 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_attack 103 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_decay 104 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_sample_start 105 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_sample_end 106 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_10_sample_2/sample_2_level 7 / 39 0–16383 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_pan 10 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_reverb_send 91 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_delay_send 92 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_tune 106 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_attack 107 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_decay 108 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_sample_start 109 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_sample_end 110 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_11_multi/multi_part_level 7 / 39 0–16383 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_multi/multi_part_pan 10 0–127 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_multi/multi_part_reverb_send 91 0–127 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_multi/multi_part_delay_send 92 0–127 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_vpm/vpm_noise 108 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_index_modulation 109 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_note 110 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_index 111 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_ratio 112 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_envelope_type 113 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_attack 114 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_release 115 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_noise/noise_color 116 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_noise/noise_attack 117 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_noise/noise_release 118 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_noise/noise_peak 119 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_user_synth/user_synth_parameter_1 16 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_2 17 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_3 18 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_4 19 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_5 20 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_6 21 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_7 22 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_8 23 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_9 24 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_10 25 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_11 26 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_12 27 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_13 28 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_14 29 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_15 30 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_16 31 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_12_master/master_volume 7 / 39 0–16383 continuous Multi: Part 12 master
/drumlogue/multi_part_12_delay/delay_parameter_1 12 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_2 13 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_3 14 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_4 15 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_5 16 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_6 17 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_7 18 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_8 19 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_9 20 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_10 21 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_11 22 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_12 23 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_13 24 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_14 25 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_15 26 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_16 27 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_return 44 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_reverb_send 45 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_level 92 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_reverb/reverb_parameter_1 85 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_2 86 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_3 87 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_4 89 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_5 90 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_6 102 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_7 103 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_8 104 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_9 105 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_10 106 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_11 107 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_12 108 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_13 109 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_14 110 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_15 111 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_16 112 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_return 83 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_level 91 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_master_effect/master_effect_parameter_1 46 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_2 47 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_3 48 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_4 49 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_5 50 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_6 51 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_7 52 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_8 53 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_9 54 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_10 55 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_11 56 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_12 57 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_13 58 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_14 59 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_15 60 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_16 61 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_channel_mode/all_sound_off 120 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/reset_all_controllers 121 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/all_notes_off 123 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/omni_mode_off 124 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/omni_mode_on 125 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/mono_mode_on 126 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/poly_mode_on 127 0–127 continuous Multi: Channel mode

Drum sounds (22)

Send <address> [velocity] [note] [channel] to fire the sound (Note On).

OSC address Sound Note(s) Channel Velocity
/drumlogue/drum/single_channel_mode/bass_drum Bass drum 36 basic
/drumlogue/drum/single_channel_mode/rimshot Rimshot 37 basic
/drumlogue/drum/single_channel_mode/clap Clap 39 basic
/drumlogue/drum/single_channel_mode/snare_drum Snare drum 40 basic
/drumlogue/drum/single_channel_mode/closed_hi_hat Closed hi-hat 42 basic
/drumlogue/drum/single_channel_mode/low_tom Low tom 45 basic
/drumlogue/drum/single_channel_mode/open_hi_hat Open hi-hat 46 basic
/drumlogue/drum/single_channel_mode/high_tom High tom 50 basic
/drumlogue/drum/single_channel_mode/sample_1 Sample 1 52 basic
/drumlogue/drum/single_channel_mode/sample_2 Sample 2 53 basic
/drumlogue/drum/single_channel_mode/multi Multi 55 basic
/drumlogue/drum/multi_channel_mode/bass_drum Bass drum 0–127 1
/drumlogue/drum/multi_channel_mode/snare_drum Snare drum 0–127 2
/drumlogue/drum/multi_channel_mode/low_tom Low tom 0–127 3
/drumlogue/drum/multi_channel_mode/high_tom High tom 0–127 4
/drumlogue/drum/multi_channel_mode/closed_hi_hat Closed hi-hat 0–127 5
/drumlogue/drum/multi_channel_mode/open_hi_hat Open hi-hat 0–127 6
/drumlogue/drum/multi_channel_mode/rimshot Rimshot 0–127 7
/drumlogue/drum/multi_channel_mode/clap Clap 0–127 8
/drumlogue/drum/multi_channel_mode/sample_1 Sample 1 0–127 9
/drumlogue/drum/multi_channel_mode/sample_2 Sample 2 0–127 10
/drumlogue/drum/multi_channel_mode/multi Multi 0–127 11

Performance MIDI

Notes, pitch bend and any CC are also available: /drumlogue/note/on <note> <velocity>, /drumlogue/cc/<number> <value>, /drumlogue/pitchbend <0-16383>, /drumlogue/program_change <n>.

Limitations

CC/NRPN only. SysEx (preset management, display control, bulk dump/load, vendor-proprietary opcodes) is NOT covered by pencilresearch. To extend this device with SysEx, sniff the vendor editor, add `sysex.header/footer` + `commands` blocks, and use `update_device.md` PR template.